If you like that try ''Rubber'' a film about a tyre /tire that kills people.........i kid you not,so awfully bad
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Whaaaat? I love that movie! Really!! Got it on dvd and blu and after that i just went for everything by Quentin Dupieux. Rubber is about expectations and reason and is just a surreal and a little dadaistic wonderful picture.
The movie begins with this scene:
In the far distance a car comes from the left and slowly slaloms towards the viewer. A beautiful shot with lots of depth of field and a very nice focus, and after the car stops, a man gets out of the trunk, with a glas of water in his hands and talks directly into camera and to the viewer:
Lieutenant Chad:
In the Steven Spielberg movie "E.T.," why is the alien brown? No reason.
In "Love Story," why do the two characters fall madly in love with each other? No reason.
In Oliver Stone's "JFK," why is the President suddenly assassinated by some stranger? No reason.
In the excellent "Chain Saw Massacre" by Tobe Hooper, why don't we ever see the characters go to the bathroom or wash their hands like people do in real life? Absolutely no reason.
Worse, in "The Pianist" by Polanski, how come this guy has to hide and live like a bum when he plays the piano so well?
Once again the answer is, no reason.
I could go on for hours with more examples. The list is endless.
You probably never gave it a thought, but all great films, without exception, contain an important element of no reason.
And you know why? Because life itself is filled with no reason.
Why can't we see the air all around us? No reason.
Why are we always thinking? No reason.
Why do some people love sausages and other people hate sausages? No fuckin' reason.Cop Xavier: [honks the horn]
Come on! Don't waste your time explaining that garbage. Let's go!Lieutenant Chad:
Just a minute. Let me finish.[looks back at the audience]
Lieutenant Chad:
Ladies, gentlemen, the film you are about to see today is an homage to the "no reason" - that most powerful element of style.[pours his glass of water on the ground before getting back into the trunk of the police car]
There is also a group of people in the desert, who watch the story of the movie going on...
Well, i just love this kind of surreal, bizarre and creative art. You have to let loose your expectations and your pre-visions of a linear story-telling and just go with the flow...

There is a special on my edition, an interview with Quentin Dupieux. I think it runs just under 20 min. But his answers are filmed backwards and Dupieux talks to a plastic sexdoll.
That's funny!

And yeah, The Car looks great!