When I heard the songs live in Brighton and London I couldn't get a clear view of the album as an entirety. That's not a bad thing to me and knew the real time to try to get familiar with it was gonna be a devoted moment at home or in a car: ears and heart open, thoughts flying and probably a tear in eye... Well after the gigs there was just the chorus verse of Knievel playing in my head and could still see allover-tattood Stoney standing on the shoulders 2 meters tall like a tower and waving his hands:
"Did you come to see a man fall, or do you see him flyyy..." 
Now I have some views of the album and have to say this is gonna be a classic to me. My wife said too, "that's so heart touching to listen and dunno if it's because of the recent gigs or what".
Right now my fave's seem to be: March in September, I Need More Time, Storm Clouds, Did You Make it Safe, Lean Back & Fall, Knievel, Ghosts, for some to mention.
But to the point in this thread; there's maybe something in Between Dog & Wolf and Qasr el Nil Bridge that I'm not so much into - yet. I guess it's due to the oriental sound elements of the keyboard. Keyboards maybe too dominating in them. The solo part in the end of Between Dog & Wolf should've maybe been with guitar or something, I think. But, what can I say? It's the f***ing NMA and it sounds like them still and always will. I like a lot of stuff Dean White creates with synths and one might actually say it's a challenging thing to play some
sitar or such in solos. On the other hand, those two songs may take time with me and I like the a-riffs and chorus on Between Dog & Wolf very much.
I love this album.